Natural finery

283/366 While most of the images on my first roll of Fantome were taken in full or partial sun, I did manage to take a few in partial shade. In these cases the images came out with much more nuance (and actually had midtones in them). This could definitely be a use case for the film, though with an extremely low ISO, it would leave you reaching for a tripod unless you use extremely shallow depth of field like I do. And if it’s midtones that you are looking for, well you may as go with a different film stock, in my opinion.

Lomography Fantome, Leica M3 with 50 mm Noctilux f1, Ars-Imago #9 (rodinal) semi-stand

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